Thematically, the story is based on three pieces that merge into a whole. “That Yellow Bastard” comes to life with Nancy (Jessica Alba), and Hartigan, (Bruce Willis). Hartigan is on the brink of retirement; he struggles through his last hours as a police officer to rescue Nancy from the clutches of a high-powered official’s son, Roark Jr., played by Nick Stahl. This segment propels the film. Even if you know what happens, you want to witness their fates. That Yellow Bastard is the punctuation between Sin City and The Big Fat Kill.

A/State’s setting is post-apocalyptic futurism, but with a few twists. Unlike other post-apocalyptic settings, there are a lot of unknowns. Something happened, something that ripped the fabric of modern-day reality off from civilization’s spoiled body. Technology is limited, identities are a luxury, and survival of the fittest is a way of life—not just a catch phrase. The City, assuredly a conglomeration of some things that “were”, has no name. In this place with no name, you battle against your greatest enemy—yourself.

The families lived in exile, far removed from Condar, Rodak or Derve. They did not choose to live there, the mountain hand-picked them. They were merchants, traffickers, and traders in luxury goods, foodstuffs and information. All had a story to tell, some worse than others. A rockslide claimed one party, bandits tore apart another. Long have they been grieved for, even longer have they been forgotten. Until the miners came, dwarves with their pickaxes and knowledge of things buried deep within the earth. Tough yet resilient, Ilieva grew into the mountain ever since her husband died last Lokt. So, when the dwarves came offering a mutually-beneficial treaty, how could she refuse?