Paxton and Josh are two buddies from the US backpacking their way through Europe. On their journey they have picked up an Icelander named Oli, and together the trio have made it their mission to smoke as much pot and chase as much tail as possible. This incentive has lead them to a Slovakian hostel where something much more terrifying and gruesome awaits them than beautiful women. Unfortunately for the boys, in this city, foreigners are kidnapped and, for the right price, tormented and tortured by their buyers.

Bloodrayne the movie is an offshoot of the original console game. Upon seeing some of the trailers and hearing of the actors that were cast in this movie, it was a decision of mine and several friends to spend the $6.50 to see an afternoon showing of this movie. This was the worst $6.50 I spent this entire year.

Jennifer tells us about her work on a variety of projects, including RPGs, comic books and more!

Daniel spat carefully. Damn the Law. Sure, the crisp uniforms were a necessary evil—they needed him just as much as he needed them. The Law’d get into a nasty situation that involved daemons or some other supernatural creature (even though “officially” there’s no such thing as monsters), and then they’d hire him, Daniel Wayward, to clean it up. Sometimes things were good, real good. One time he managed to keep the acrid blood spatter to a minimum and kill the thing with no casualties. In his line of work, that was a miracle. Being a beastkeeper had its ups and downs. Most times he was lucky to have a day that was in between.

Today was not one of those days.

Third in a three-part series

Available on Amazon.com Released in September 2005 to a North American audience, Final Fantasy VII: Advent Children has been heralded as the stunning animé sequel to the Final Fantasy VII video game. I have not played Final Fantasy VII, but I have played other games within the Final Fantasy series. Watching this animé was like […]

What makes Anansi Boys interesting to read, is that this book transcends the issue of race or origin through Gaiman’s descriptions of more animalistic qualities of Anansi’s world and symbols that give us a color to focus on other than white or black or red. Symbols like Anansi’s green fedora help us dream the tale in Technicolor. By simplifying “race” (giving us only fleeting character descriptions) the prose emerges light and lilting. Class is well-defined but it’s laughable, comedic. You forget that the continent of Africa and her many gods are outside of your comprehension—you feel a part of the raw, natural order spring to life inside of you.