Masks of Nyarlathotep is a masterful campaign by Larry De Tillo with Lynn Willis created for the Call of Cthulhu tabletop role-playing game. In it, the investigators are drawn into a plot to throw open the gates keeping the Great Old Ones at bay, causing the earth to become a nightmare landscape of death, destruction, and mind-shattering horror. Spanning five continents, Masks is an epic adventure of mayhem and supernatural evil that will consume many game-nights of play, and is suitable even for a larger group of investigators. Available again in a revised 4th Edition, it once more rears it’s terrifying, blood-red tentacle to drive us all over the brink.

“Jack and Alice find themselves at an impasse when their client is found dead and their own personal demons start to emerge. The Raven continues his prowl and ominous signs accompany his return. Meanwhile, new players reveal themselves and war breaks out in the unsuspecting town.”

My 2011 pick for the Best Book You Never Heard of is back and it is bringing all the serial killing goodness back with it! While this issue seems to build more on the back story, which is what a second issue should do, it is still an awesome read.

Story: This well-drawn and well-written comic tells a condensed version of the life and rise to fame of one of the world’s best writers. Like other comics by the same company, they worked with the author to tell this story. It includes his life with his mother and brother, after his father left them. The situations that sparked his interest in the macabre. His life at college and his love for his family. His battle with drugs and depression and, of course, the terrible accident that almost cost him his life.

Shockers: While many fans of Stephen king are familiar with the details of important moments in his life, it is something of a shock to the system to see his accident in such visual detail. The artist did a great job bringing the pain and the gruesome reality of the situation to the forefront.

Fantastic Stories of the Imagination is Warren Lapine’s new anthology, taking an SF magazine sensibility into the anthology market. He brings 14 very diverse stories by a wide range of authors from great masters such as Mike Resnick and Harlan Elision to more recent discoveries (at least to me) Fans of the Liaden universe will be glad to see a Sharon Lee and Steve Miller story.

The tales go from pure science fiction through to urban fantasy. There is no theme to the anthology though many of the stories deal with the intersection between man and machine and the question of where one leaves off. Most of the stories deal with ethical and moral issues characters face, about when to intervene in someone else’s life or situation. Love is encountered, succeeds, disappoints, fails and rises from the ashes as we learn to cope, to hold and to release.

The Introduction recounts some of the inspirations for this game, the chief being Robert Graves’s I, Claudius and Claudius the God novels, brought to the TV as a mini-series 35 years ago… just when I was taking a classical literature course in high school and discovering the pleasures of Roman history! Based in an alterate history world, this game aims to recreate the intrigue, adventure and mystery of the Roman Empire in its heyday, a heady mix to explore.

Chapter 1: Servants of Gaius goes into more detail of what the game entails. Set in Rome, the core concept is that something threatens the well-being of the Empire and of Caligula the Emperor, and the characters are tasked to deal with it… once they have discovered what it is!

“What if you could wish revenge on everyone who makes your life hell, and someone (or something) would do the dirty work for you?

But when Deacon wakes up covered in someone else’s blood, he realizes that the ritual was no childish game. And with every passing day the lines blur between the payback he envisioned and the revenge he’s committing.”

I will start of by letting you all know that this book could be looked at two different ways, and because of that I did lower the score a little bit and it still gets a 4 out of 5. The first way to look at this series is in the first half you get 2 stories that do more to explain the world in which this takes place, but then in the second half it is strictly based on the main character. While the stories that show off the world are fantastic, I didn’t see how they really helped in the overall storytelling. Now that I got that out-of-the-way, I LOVED this book. The artwork was solid throughout, and I liked how Abeleda didn’t seem to shy away from the more adult subject matter.

The Introduction launches straight in to a discussion of the role of magic items in Arcanis. In a word, they’re unusual! Even magic armour and weapons are rare. They are hard to make, involving meticulous preparation, precise crafting and arduous rituals. Few but the dwarves even bother. They should appear only as significant elements in your plots, the object of a quest, perhaps, or reward for some major exploit. So it is worthwhile to make some effort over the ones you include, for they will become notable artefacts, the sort legends build up around and about which songs are sung!

General rules are also dealt with here, mostly concerning how many magical items a character can use at any one time, and explaining the way in which the descriptions of the ones that form the majority of the book are laid out.

“Based on the Troma film! Chillers, the classic film from Troma Studios that captured the Silver Scroll Award, returns with all new tales in an original graphic novel. Writer and director Daniel Boyd is joined by some of the best in horror to present more terror and chills. Troma Films is supporting the release of the graphic novel with a re-release of the film on DVD and the Buddy Black Band is releasing a tribute album, Witchfinder, to also coordinate with the graphic novel. Evil travels in many forms, even by bus. But this bus takes its riders to a journey that they can never return from!”

I have had a long, sordid relationship with the Final Fantasy franchise. While I haven’t played every game, I have played most of them. When you play Final Fantasy, there are certain elements that you come to expect: cactaurs, chocobos, moogles, summoning, and BIG GIANT SWORDS. Final Fantasy XII began to stray from the iconic characters found in the property with its attention to new mechanics and a more realistic art style heavily inspired by the steampunk genre.

Final Fantasy XIII further deviated from the heart of the franchise. Though it did offer eidolons (one per character) this far-flung futuristic story jarred a lot of fans who hadn’t seen Square Enix dive that heavily into science fiction since the days of Cloud and Sephiroth in Final Fantasy VII.

“This is the first issue in the five-issue story arc, “ODYSSEY”. The mission for Z-Girl and the 4 Tigers was straightforward: battle gun-toting apes at the temple of Angkor Wat in Cambodia, prevent the emergence of the wrathful god, Shiva, and save a pregnant hostage. But the ancient scroll they find means this is just the beginning of something greater, a journey of discovery of who Z-Girl is and what part she is to play in the prophesied zombie apocalypse.”

No fantasy world is complete without monsters to pit your wits – and sword-arms – against, and despite the rich heritage already in place for the Arcanis campaign world, a completely new ruleset requires new monsters to be written to accommodate it.

The nice thing is, this book is as much a ‘how-to’ build your own monsters (or adapt existing ones from other games) as it is a selection of beasties with which to threaten your players. Whilst this is in part necessity: it’s plain not possible to provide the wealth of monsters that most gamers have become accustomed to, it also provides for the creativity of the average gamer to be supported… and enables individual gamers to ‘convert’ their favourite beasties which cannot be presented under this ruleset for copyright reasons!

Kelly McCullough, author of the WebMage series, dives into the fantasy noir genre with the debut of Broken Blade. Dubbed the Fallen Blade series, this first book introduces Aral Kingslayer, a former assassin for the now-dead Goddess of Justice named Namara.

I feel McCullough’s strength has always been building worlds that the characters are immersed in. Broken Blade explores a different side of dark fantasy than the typical European/medieval fare. The world is a blend of East meets West where remnants of martial arts and Asian mythology merge with European politics and the rights granted by proper lineage.

Written as a fantasy noir, there are plenty of mysteries to explore in this book. Kingslayer is the anti-hero; he’s the drunk who sits in the corner of a bar who’s depressed and feeling sorry for himself — for good reason. His ever-present familiar, Triss, lives in his shadow as Aral simply tries to get through the day.

So you have this gorilla who wants to rule the world with his army of sentient ape-men, right? Plus, there’s a portal open to another time, and dinosaurs are coming through it – nobody’s sure who’s controlling them, but they aren’t acting purely on instinct. Then there’s the fact that many of the members of the Century Club – a group of two-fisted do-gooders who fight for truth and justice – with Chapter Houses all over the world – have disappeared, and you have the makings of a fantastic romp through pulp action in the classic tradition.

Like many people, I’ve enjoyed adventuring in the world of Arcanis as presented for the Dungeons and Dragons 3e ruleset for a good ten years now. It’s good to see innovative alternate realities survive the game mechanics that they were originally written for, but whilst many survive version changes it is less common for an entirely new game to be created just so that alternate reality will continue to thrive. This mighty tome has set out to provide a comprehensive system rooted in the Arcanis we already know and love, whilst introducing that world clearly to those who have not ventured there before.

The work is made up of four sections, and begins with the Codex of Arcanis, thus getting you all excited (for the first time or anew) to go visit, with subsequent sections explaining the mechanics of doing so. A sweeping overview of history catches you up, event piling upon event to lay the groundwork for the current situation, underpinning the traditions and customs prevalent today.

Before he secured his place in the annals of international pop culture with the Tarzan stories, Edgar Rice Burroughs offered up the initial adventure in the far more interesting and inventive Barsoom series. “Under the Moons of Mars,” later to be retitled A Princess of Mars for book publication, first saw print in the Munsey pulp The All-Story, from February through July of 1912. The six-part serial chronicles the adventures of Confederate veteran Captain John Carter, who stumbles across a cave in Arizona through which he is transported via psychic projection to Mars, or as the locals call it, Barsoom.

Once deposited on Barsoom, Carter treks across the dying planet and encounters an imaginative assortment of races and creatures, from the four-armed warrior Tharks to the super-speedy dog-lizard things called calots (one of which, naturally, becomes the hero’s faithful companion), to the humanlike red Martians.

The Halloween Tree is the audiobook version of the 1972 publication by Ray Bradbury. The story is a fantastical look at the history of Halloween. Spanning several cultures, the characters experience the customs of people from Ancient Egypt, Rome, Mexico, the British Isles and others.

The story is impeccable and Bradbury does what he does best: social commentary through the guise of a story. Here, he teaches us about our own customs by forcing us to peer into the past without beating us over the head or giving boring explanations. I’m not the only one who thinks The Halloween Tree is spectacular. In fact, the story is so popular the animated version of The Halloween Tree was featured on Cartoon Network and it’s also been incorporated in Disneyland‘s Halloween decorations.

I like to think of “The Wicker Man” as the greatest Hammer film never actually produced by the venerable studio. Despite the fact that it was in decline, Hammer was still the foremost name in English horror cinema at the time of the film’s release. While it was originally distributed by British Lion Film Corporation, “The Wicker Man” shares Hammer’s penchant for beautiful landscapes, lush production values, and its franchise star, Christopher Lee, who portrayed Dracula, Frankenstein’s monster, and the Mummy in numerous films for the studio.

This mighty tome, over 500 pages long, contains everything that you need to start adventuring in the world conjoured up by author Brandon Sanderson… who has not only allowed the use of his setting, he’s written fiction especially for the game, has added comments throughout, and was even involved in the playtesting!

First up, the treat of an original short story set in the Mistborn world called The Elventh Metal. It tells of a small group of malcontents, seeking revenge, seeking change, and introduces a world rich and strange – metals that burn within and confer power, swirling mists, ash that falls from the sky, twisted exotic buildings. And so the strangeness, the richness of this setting is revealed: allomancy. Familiar if you know the novels on which this game is based yet brought magnificently into prominence whether or not you have read them – by utilising mystic powers different metals can be used to bring about a range of spell-like effects. Learn the tricks of their use, or perish miserably!

“The Blair Witch Project” is one of the most controversial horror movies of recent memory. This is not due to explicit content. The movie was never banned or placed on a parents’ watch list. It is controversial due to its lack of explicit content. There are no CGI monsters or buckets of gore, bucking the trend of most contemporary horror. It derives its scares from its setting, atmosphere, and great performances from the three leads.

“Blair Witch” tells the story of Heather (Heather Donahue), Mike (Michael Williams), and Josh (Joshua Leonard), three student filmmakers who are producing a documentary about the legendary Blair Witch, who is said to reside in the woods outside Burkittsville, Maryland.