Written in 1967 by Joan Lindsay, Picnic at Hanging Rock is a historical fiction novel and ghost story set in a girls’ boarding school located in Australia. A critically-acclaimed movie based on the book was made in 1975 by Peter Weir. Now, this literary classic slated to be a reimagining of Picnic at Hanging Rock. In 2018, it will be released as an Amazon mini-series starring Natalie Dormer from HBO’s Game of Thrones.

Penguin Classics has just released a new edition of Picnic at Hanging Rock, with an introduction by novelist Maile Meloy. The story was Joan Lindsay’s debut as a novelist at age 70, and is considered to be one of Australia’s greatest literary works. Set in a Victorian 1900, the plot circles around the disappearance of three girls who attended Appleyard College for Young Ladies. The mystery, deftly told, is only the beginning of the story behind this book, however. Lindsay, who wrote the novel in less than two weeks, blurs the line between fantasy and reality, never revealing whether or not these young ladies were real people who disappeared or if they were figments of her imagination.

I have been a Sherlock Holmes fan for as long as I have been able to read. I have over a dozen books devoted to the Great Detective, and I have spent more than a year working on a series of essays examining the original stories written by Sir Arthur Conan Doyle. So it’s no surprise that Flames Rising asked me if I wanted to review a (nearly) all-new anthology of “uncanny tales” featuring Sherlock Holmes. It’s even less of a surprise that I accepted.

In my collection of books, I own a couple of anthologies that take different directions for Sherlock Holmes – one of science-fiction stories, and one combining Sherlock Holmes and the Cthulhu Mythos – so in reading this, I tried to put aside my “slavish fanboy” hat and read them with an eye towards different takes on the Great Detective. In such anthologies, I personally look for two elements: fidelity to the core of the characters and elements of the Holmes canon, and novelty to present a new take or slant on familiar faces. How does this new anthology hold up?

Today you die. Today you are reborn. Today you hunt the man who killed you.

It’s Lee Child vs. Altered Carbon in a high-tech blast of tough-as-nails future thrills. Matt Forbeck arrives as the new king of high-concept – with a blockbuster action movie in a book. In the near future, scientists solve the problem of mortality by learning how to backup and restore a persons memories into a vat-bred clone. When Secret Service agent Ronan “Methusaleh” Dooley is brutally murdered, he’s brought back from the dead yet again to hunt his killer, and in doing so uncover a terrible conspiracy.

Flames Rising is pleased to present a excerpt from this new novel by Matt Forbeck.

Back on August 14th, a two chapter preview of Personal Effects: Dark Art was posted here on “Da Flames” (Click here to read preview). Included in this preview were notes about this book being a “multi-media novel” or a “trans-media” thriller that makes it a unique experience. By the time I reached the end of the preview, it was an appetizer that made me want to sink my rotting teeth into the rest of the book. Actually, calling it an “experience” as opposed to simply a “book” would be a better description. What do I mean by that? Well folks, grab a fork and a knife and sample this delight with me.

To best review P.E.D.A., I’m going to split “the experience” into two halves. Starting with the book portion (which was author J.C. Hutchins contribution to the experience), our protagonist is mild-mannered art therapist Zachary Taylor.