The Devil’s Rejects is Rob Zombie’s follow up to his House of 1,000 Corpses though most of it is so different to House of 1,000 Corpses, despite being a sequel, that you wonder if it really is a sequel in spirit. The Devil’s Rejects feels more like a remake than a sequel per se, a sequel made by someone who has come off the fun psychedelics and sobered up.

Hands down, the worst trend in the relatively recent horror movie resurgence is the incessant green lighting of unnecessary and bad remakes. It’s indicative of a larger financial problem plaguing the entire industry and while remakes may guarantee a built-in audience for the short term, they will erode the genre over time. So needless to say, I was none too pleased when Dimension Films first announced that the next classic in line for a rebuild would be John Carpenter’s seminal slasher flick, Halloween (1978). But a funny thing happened upon my learning about Rob Zombie’s involvement – not only did my steadfast opposition to the remake disappear, but I became down right excited to see the movie being made by a film maker who takes his horror very seriously.